Skip to main content

Betty Draper's comments were not out of character

In the first episode of the sixth season, Betty Draper glibly suggests to her husband that he "rape" the fifteen-year-old friend of Sally, Betty's daughter. Henry looked shocked (as anyone would) and many people who blog about Mad Men said that she had crossed a line, even for Betty. But Betty has always crossed lines of behavior, whether for shock value or for the volt of adrenaline that Don mentions elsewhere in the episode. I can think of a number of incidents:

1. She shot the neighbor's pigeons.
2. She manipulated a situation where a friend succumbed to lust and then Betty shamed her for it.
3. She teased the mechanic in the dead of night on a dark road.
4. She seduced a stranger in a bar in the backroom.
5. She allowed the neighbor boy, Glen, to cut a lock of her hair and didn't fully realize why the mother thought it was weird.
6. She became angry and jealous because Glen became friends with Sally.
7. And in this episode, she hangs out in the flophouse and reprimands the youths for being rude.

Betty routinely plays with boundaries. She's not a villain. But she is clearly struggling with her prescribed roles and is complex; her behavior is often in reaction to the way she is treated by men, especially in the earlier seasons. Mad Men would suffer for not having her in the show, though it would be interesting to see her find a purpose and thrive in it.

Comments

Popular posts from this blog

2010: January to June Favorite Reads

The best books I’ve read between January and June of 2010: Dandelion Wine , Ray Bradbury. First time I’ve read this an adult. It’s not quite cohesive as a novel, but wallops a double-dose of nostalgia: Bradbury’s for his childhood, and mine, for reconnecting with an old beloved book. Brooklyn , by Colm Toibin. Love this simple, rich story of a young woman’s maturation-through-immigration. Caution: there is one section that will make you cry buckets of salty, sad tears. I knew when I was in the middle of this tender novel that I wished it were three times as long. It's quiet and understated and elegant, this story of a young Irish woman who comes to America and finds her own strength and self. Reminiscent of A Tree Grows in Brooklyn , and an immersible world unto itself. Underworld by Don DeLillo. Epic monster of a story that seems to presuppose the horrors of the 2000s by looking at the less-but-still horrific 1950s through the 1990s.* True Grit by Charles Po...

2016 Reading Notes

My reading came to a screeching halt after the election and I've been having trouble resuming it since. But I did have a good reading year before that day. White Noise by Don DeLillo. First read in 1998, re-read in 2016. I remembered that White Noise is about supermarkets and Hitler studies. I remember loving it in 1998, but little else. What I rediscovered is that this novel is full of anxiety, dread, distrust of systems and data, environmental waste, precocious children, familial and romantic loves, and the repression of our fundamental fear of death. It's satirical but also mildly terrifying. I am happy to say that it's still a five-star read. I also read DeLillo's Zero K, which was fine but unexceptional and probably very close to the future as elites hoard all the money and try to preserve themselves past death, waiting out the demise of most of mankind. I was happy to discover three Louise Erdrich novels: Love Medicine; The Round House; and LaRose . Loved the...

Colwin, Mr. Parker, #3

Laurie Colwin "Mr. Parker" Published 1973 From the New Yorker Short Story Podcast, airdate 8/1/12 Read by Maile Meloy #3 Short Story Project, 300 in 2013 This is a coming-of-age story about a young girl who takes piano lessons from a teacher in the neighborhood. His wife dies, and that death marks a transformation in the girl, her relationship to her mother, and to her own understanding of what it means to perform well enough, through practice, to make real music. It's a simple story really, but the language used carefully describes the fading process that life deals out to older people. There's also a running theme of innocence vs. knowing. It's not funny, like Colwin's novel Happy All the Time, but in a small number of words, the reader is let in on the girl's inner life.